Sonja Olson
Throughout her life, Sonja has been attracted to architectural scenes comprised of multiple components and interesting rooflines, such as barn complexes and industrial structures. In her imagination, she enjoys simplifying such scenes into two dimensional compositions where the various planes are flattened into interesting shapes and areas of color.
Influenced by her training as a Hindu miniature painter, Sonja’s most recent pieces explore ways of representing her interpretation of industrial buildings by manipulating the arrangement the geometric forms, deliberately corrupting perspective, taking liberties with light and shadows, and being bold with color and precise with line.
The results are sharp, slightly abstracted, and most definitely affectionate portrayals of what are often considered “blighted” buildings and “eyesores”.
Defunct Sugarcane Processing Plant
colored pencil on paper
11"x14" framed
Defunct Sugarcane Processing Plant II
colored pencil on paper
11"x14" framed
SOLD
Defunct Sugarcane Processing Plant III
colored pencil on paper
11"x14" framed
Despondence
oil pastels on paper
32" x 41"
Frustration
oil pastel on paper
41"x 47"
Impotent Rage
oil pastel on paper
33" x 57"
The Night Shift I
monoprint
8” x 9.75”
The eight Shift II
monoprint
8” x 9.75”
Barns on the Stage Road
color Etching no.6/10
4” x 9.75
Stark Light on Barns
etching no.14/20
4” x 9.75”
Hillside Barn, Woodstock
etching with viscosity tint no.7/10
5.5” x 9.75"
Huddled in the Snow
monoprint with chine collé
3” x 7.5”
Blue Pipes, Purple Gate Valve
color pencil
9"x12"
Left Behind
assemblage
11"x9"x2.5"
Sealed for Your Protection
collage
10"x8"
The Desire to Be Elsewhere
collage
10"x8"
Humanity's Desires
collage
8"x12"